La descrizione poetica dell'amore è sentimento puro, doloroso, dolce e terribile, allo stesso tempo:
- le relazioni e i modi dell'amore
- parlare la lingua dell'amore
- definizioni dell'amore
-come vivere gli affetti
-una nuova dimensione dell'amore
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The stages of relationship every couple goes through Red flags in a relationship that signal 'it's time for a change'
The most common reasons couples break up
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Lovers are in a hurry to say #ILoveYou and anticipate every move and decision that prevents them from saying #ILoveYou anytime, anywhere and anytime: they wouldn't be in love differently.
Love has its reasons: it is a truth that does not admit or know objections. But "how to return to the truth of love in the epoch of its end?": We return to the truth only from the roots: thinking about #ILoveYou: the simplest and "philosophical" verb of all: #ILoveYou": I know, you think so.
Saying #ILoveYou is worth challenging the “Tractatus logico-philosophicus” by Wittgenstein for which "on what we cannot talk about, we must be silent" and talk and it is immediately evident that it does not know reasonableness, only excess loves #ILoveYou: it is absolute and pre-powerful like a child alone between the unspeakable and the undecidable there is the #ILoveYou.
And “what do I think when I don't think about you? What does not-thinking about you mean? ": When I think "I don't think about you":
1st I think,
2 ^ I am looking for the epochè from #ILoveYou,
3 ^ I don't go out,
4 ^ I think I don't think about you in thinking about you,
5 ^ the "I don't think of you" or the "I think of you linked to #ILoveYou, is other than" I think "and, even if it finds a root in it, it distances itself from it: it inhabits a territory whose borders are not dominated.
Perhaps the "discourse" on love is a return to "mania" and mythos because it cannot be objectified, it is not clear and distinct: it experiences the abyss, the undecidable and precisely when and if it tries to say itself it discovers its limits and it can only be an autobiography, a story, a poem, a work of art, a singularity that speaks to other singularities.
The #ILoveYou is followed by "forever,": which is not always forever but to live it cannot be separated from it and above all the #ILoveYou is intertwined with "madness": in fact we say "I love you madly": philosophy can speak, groped a discourse on incandescence, on the passion suffered - therefore - by the ego which - therefore - is dispossessed of it.
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Summary
BIOGRAPHY............................................ 2
INTRODUCTION...................................... 7
CHAPTER ONE........................................ 9
Definitions Of Love That Everyone Should Know
What It’s Really Like To Fall In Love...15
CHAPTER TWO..................................... 34
The Stages Of A Relationship Every
Couple Goes Through
CHAPTER THREE................................. 52
Red Flags In A Relationship That Signal
It's Time For A Change
CHAPTER FOUR....................................92
Most Common Reasons Couples Break Up
CONCLUSION
Bibliography:
-Giacinto Plescia: Ontology of the Physis
-Giacinto Plescia: Epistemic, Nothingness and Art
-Giacinto Plescia: Ontology of Physis: Hermeneutics and Epistemics of Mathematical Physics, Godel-Heidegger-Thom
-Giacinto Plescia: Ontology of Art, Ontological Epistemic
-Giacinto Plescia: Kalipso’s song, the Goddess of the Sublime, the Nothing and the Sublime, a New Ontology of the Work of Art
-Giacinto Plescia: Ontology of the Myth
-Giacinto Plescia: Ontology of the Sublime
-Giacinto Plescia: Ontology of the Work of Art: the Beauty between Nodes, Ribbons and Singularity, for a Morphogenesis and Topology of Art
-Giacinto Plescia: A Topological Model of Mind the Problem of Consciousness
-Giacinto Plescia: Epistemic and Art: the Beauty after the Nothingness
-Giacinto Plescia: Onthodynamis
-Giacinto Plescia: The Chaosmos: is Infinite, Infinitesimal
-Giacinto Plescia: Ontology of Mathesis and the Crisis of Foundations
-Giacinto Plescia: Hi-Tech Spatiality: Technocities, Highways, Valleys
-Giacinto Plescia: Analysis of Post-industrial Spatial-Archemorphism
-Giacinto Plescia: Space Archeomorphs of Innovance: Technology, Production and Media
Biography
Camilla G. Iannacci
-attended Lectures, Seminars on Philosophy at ‘S. Carlo Foundation’ in Modena, at the Departments of Philosophy of the Universities of Turin and Florence.
She collaborated with Giacinto Plescia: Graduated in Architecture at the Polytechnic University of Turin
Former Project Researcher and Temporary Contractor at CNR, Participated some Calls EU and CNR.
She received:
-The CdCalendarsPirelliInternetional for the Essay 'About Time' 1997;
-the 1st Prize of the 'Pegaso-Dire' Poetry Competition in Biella;
-the 2nd Prize of Poetry 'The Piazzetta' in Salerno
-the 2nd Prize of the Prose Competition 'Pegasus' in Biella;
-She ranked third in the Literary Prize 'La Pira' in Pistoia.
-Some of her Poems are online: www.espresso.it;
-some stories on: 'La Repubblica-Firenze'.
She has been reviewed in:
-"Storie", Feltrinelli – MI
-"History of Italian Literature" - Helicon Ed. by Prof. N. Bonifazi, Foreword by Prof. G. Luti
She participated in:
-the 8th Poetry Prize 'W. Tobagi' in Ateneo Veneto
-the 'M. Luzi' Prize;
-the 'Focus' Prize.
-the CNR Call Promotion Research-Typology "Publication Paper: Historical, Philosophical and Italian Literary with particular attention to Contemporary Reflection" with the Research 'The Principle of Indeterminacy as Hermeneutics of the Relationship between man and Physis'
Publications:
-A Simple Friendship with Rossana Rossanda, a short Correspondence;
-Ferragni and Fedez: Analysis and Morpho-genesis of a Singularity in the Info-Space-Time of Social Media;
-Ferragni and Fedez: Media-Morphosis. Aphorism about the Ferragnez
-Desideranza
-Philopoiesis
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